About Yoshida Village

ABOUT

Kinugawa River has been known since ancient times as a river that rages like an angry demon.
This river, which cruelly swallows people’s livelihood at times, simultaneously makes us face the fearfulness and severity of nature and blesses us with rich land by providing fertile soil and an abundant source of water.

Several communities dotted the vast pastoral land on the western bank of the Kinugawa River, centered on the old road connecting Yuki and Utsunomiya.
In 1889, the villages were combined through the enforcement of the municipal system to give birth to Yoshida Village.
Yoshida Village developed significantly thanks to the agriculture provided by the land and the water transportation provided by the river and was a prosperous village brimming with liveliness.

Time has passed, and these years of prosperity are now in the past.
The liveliness of the past has died down, and today, Yoshida Village (presently Shimotsuke, Tochigi) is a quiet, peaceful country town.
We have a desire to revive the past liveliness of this village.
We are breathing a new life into Yoshida Village.

Yoshida Village Project

YOSHIDAMURA PROJECT

The land that serves as the hub for Yoshida Village Agritourism was the center of the Yoshida region until 30 years ago. It flourished as a place for the regional community, as it had the office and market for the farmers’ cooperative, as well as a gasoline station, and supported the daily lives of regional citizens.

At the time, the village and the people were lively, as there were restaurants and shops nearby. It is a region where agriculture has thrived due to the fertile land provided by the Kinugawa River nearby, but it also developed as a region where commerce thrives too, as it has long been located off a branch road of the Nikko kaido and it has had post towns and wharfs for the Kinugawa River.

However, with the changing times, such as the urban development around the closest train station, shops gradually disappeared and the farmers’ cooperative moved away, leaving only the stone storehouses and the remnants of the office, which were like carcasses, and vast open space.
Accordingly, the number of people in the village decreased, the birthrate declined, and the population aged, leaving the region very underpopulated now.

Since this is an agricultural area, it has been designated as a “controlled urbanization area,” and retains its look as an unused asset of the farmers’ cooperative without gaining any value or being sold, bought, or developed.

However, rare hand-carved Oya tuff stone was used for these buildings, which have a splendid construction that has withstood earthquakes, making them cultural assets that tell the story of their historical background.
These stone storehouses are buildings that have endured an eternity of time due to a combination of factors, such as being in a location with few disasters, the controlled urbanization area designation, and its preservation conditions. They have a dignified appearance that cannot be recreated in the modern age. Given that there has recently been a popular trend of renovating old buildings, these buildings are very appealing and can lead the way for regional revitalization of an area with depopulation.

There are countless agricultural storehouses across the prefecture and the country that have similarly become unused assets of farmers’ cooperatives under similar circumstances. If they can be developed and utilized effectively to form a framework for the flow of people and things, in addition to revitalizing the region, they can serve as part of a new business model to produce content that can be shared with the entire country in obscure regions that have nothing else.

We will start up a developmental project named the Yoshida Village Project that aims to create culture, architecture, commerce, and community and devote ourselves to regional development.

プロジェクトメンバー

PROJECT MEMBER

建築家

慶 野 正 司

(有)アトリエ慶野正司 一級建築士事務所
代表取締役

地元(旧吉田村)在住、小山市内に事務所を構え関東を中心に活動している建築家。
設計分野は多岐に渡り「建築と環境や社会」「場の過ごし方」などから建築をデザインし、その創造性と独自性から評価され「すみれチャイルド」がグッドデザイン賞受賞など過去多数の受賞暦を有する。
現在、足利工業大学、小山高専の非常勤講師も勤める。

建築家

永峰麻衣子

国立小山工業高等専門学校建築学科 助教
一級建築士
日本建築家協会保存問題委員

オランダの設計事務所勤務を経て、さいたま大宮を拠点として、住宅・集合住宅の設計に携わる。栃木県内に現存する明治時代の小学校建築である旧小野寺北小学校に関する調査を小山高専の学生と共に行い、築120年となる校舎の保存再生の可能性を探る。
著書「時間の中の住まい 高橋公子と五つの住まいの現在」彰国社

アートディレクター

鈴木 裕也

㈱FD
代表取締役

「FRONT DESIGN」として、栃木県を拠点に数多くの企業や商品、地域ブランドのブランディング&デザインを手がける。
綿密なブランディングを軸に、CI・VI構築からグラフィックデザイン、ウェブデザイン、商品開発、店舗インテリアデザインまで、分野の枠を超えて総合的にブランドデザインを行う。
宇都宮メディア・アーツ専門学校 非常勤講師。

プランナー

松本 裕功

㈱Culture Bank Studio
代表取締役

百貨店、鉄道系駅ナカ開発企業を経て帰郷後独立し、宇都宮市大谷にROCKSIDE MARKET、THE STANDARD BAKERS等の話題店を次々オープン。高根沢町で1万人規模のイベントをオーガナイズする。
都市型商業施設、駅ビル等の開発及びリニューアルプロジェクトのプランニング、地方中小企業やアンテナショップ等物販店舗の業態開発支援・コンサルティング、工芸・民芸、デザインプロダクトのプロデュースも行う。